Phuket Welcomes Biennale Sculptures to Boost Its Cultural Tourism Appeal

Three sculptures created for the Thailand Biennale 2025 and displayed along the Saphan Hin waterfront have officially been handed over to the Phuket Town Municipality. The ceremonial transfer took place on April 5.

The event was held under the theme “Phuket Legacy 2025.” As it coincided with the Peranakan Festival, the program featured performances by cultural groups visiting Phuket from Malaysia, Singapore, Indonesia, and Vietnam.

Phuket Town Mayor Saphachok La-ongphet symbolically accepted the artworks from their creators. Authorities have yet to decide whether the sculptures will remain at Saphan Hin after the Biennale concludes or be relocated to more prominent areas where they could attract greater tourist attention and support Phuket’s ambition to become a global center for art and cultural tourism.

In her speech, Phuket Art Association President Anjali Vanit Thepbuth emphasized that art has the power to transform cities. She noted that the project was made possible through collaboration between artists, sponsors, government agencies, private businesses, and the local community.

She also expressed gratitude to key contributors, including Phuket Provincial Administrative Organization President Rewat Arirub, the association’s leadership team, major private sponsors, and local artists who contributed both creatively and financially. Special recognition was given to Phuket Governor Sophon Suwannarat for his support. It was also highlighted that Thepbuth herself co-funded two of the three sculptures.

Dheweena

The sculpture of the sea goddess Dheweena was created by Phuket artist Ari Kongpon and sculptor Thirapong Phothisan. The figure blends human features with those of a lionfish, conveying the idea that humans are part of nature rather than separate from it. The work highlights the connection between people and the ocean, emphasizing the importance of protecting marine ecosystems and maintaining environmental balance. The project was funded by Anjali Vanit Thepbuth with a budget of 2 million baht.

Labyrinth #2

Artist Pitupong Chaowakun presented “Labyrinth #2,” continuing his exploration of confusion and the search for meaning in modern life. The installation takes the form of a “transparent labyrinth” made of red threads. These threads serve both as guidance—reminiscent of Ariadne’s thread—and as obstacles. The project was funded with 2 million baht by the Merlin hotel group.

Richest Roller

The most intricate of the three works, “Richest Roller,” was created by National Artist Kamon Tassananchalee. The sculpture explores the complex concept of wealth, combining cultural and material dimensions. It reflects Phuket’s history as a trading hub and a crossroads of cultures, as well as its evolving identity as a global destination. Funding was provided by Rewat Arirub (2 million baht) and Anjali Vanit Thepbuth (500,000 baht).

The Thailand Biennale Phuket 2025 will run until April 30, 2026. According to officials, at least 2.4 million visitors have already experienced the exhibition, although many were unaware of it before arriving on the island.

With around three weeks remaining in the program, one major highlight is still ahead — the Songkran celebration. While specific events have not yet been announced, government representatives have confirmed that the Minister of Culture, Sudawan Wangsuphakijkosol, is expected to visit Phuket during this period.